rpanons | bakuwustreet

bakuwustreet

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I'm looking for cross-canon play for this girl, Satoko, from the book, Spring Snow, the first volume of Yukio Mishima's, Sea of Fertility series. The quick summary of her character is, basically, that she's the 20 to 22-year-old daughter of a Japanese aristocrat, whose family has fallen on hard times in the early Taisho era, so she becomes engaged to a prince that she doesn't want to marry, seeing as she's in love with someone else. As a person, she is spirited, capricious and most notoriously, sports a rather terrible taste in men which is the plot of the entire book, spoiler.

I would prefer to avoid modern AU'ing her, so characters from historical canons/settings would be preferable, or characters AU'd into such, both canon and OCs, all mediums. I'm willing to play her in various periods (prior to WWII), Western or Japanese, so no problem if your character isn't from 1912 Japan, I can find a way to insert her in whatever works for your character!

Fantasy or steampunk characters from settings that are historical-adjacent are also much welcome! I'm canon blind to almost everything, but with a little OOC talking, I should be able to think of something workable.

In terms of the kind of play I like, some of my favourite things in no particular order are:

- anachronistic texting/epistolary threads
- f/m or f/f shipping (though I prefer to keep things faded to black)
- slice of life stuff and emotional growth over heavy action
- arranged marriage, insomnia, first meetings, question for a question, soulmates...
- brackets over prose
- OOC interaction, can do both plurk and discord

If anyone should be interested, my preferences can be found here, while I have an open post here. Backtagging will be a necessity, as I'm in an awkward timezone from most people.

Hoping to play with you soon!

I'm not sure this would interest you but I love playing with different time periods and given Adam's long history with Japan can easily slide him into such an idea.

Let me know if this might be something you’d be interested and if not I understand!

Driveby love for Mishima Yukio!!!! Man, you've got good taste. I haven't read that, though, only A Death in Midsummer, Confessions of a Mask (didn't finish it, oops), and started The Sailor Who Fell from Grace with the Sea. I've wanted to read The Sound of Waves, mainly because the ama village setting sounds intriguding!

Alas, I mostly play anipoke characters, so, unless you really wanna try crosscanon with a short-tempered, loudmouthed oaf (he can stay a TR member or he can just be a generic yakuza member, he's the most... stereotypical yakuza of nearly any anime Rocket, pffft.) Satoko's aristocratic upbringing might be a fun contrast because he's got a very rough, direct, more-typical-of-the-countryside manner of speaking (poet Buson's name can also read as rustic or turnip village... but with this Buson, it likely was meant to read like the bu for war/weapon/soldier, etc.—ambigious due to katakana!)

Mishima love!! I haven't read anything but Spring Snow by him, but his style of writing is so beautiful and pleasing. Satoko has become one of my favourite characters of all time, too. I really think he excels at showing flawed, yet understandable and sympathetic characters.

If you want to hit me up on bakerstreet, feel free to do so! I'd love to thread! either just tag me wherever you see me or PM me, and I'll send you some top levels that might be fun!

Thank you for the interest! Always nice to share interests with people.

It is!!! His writing is pure art and he writes female characters much better (definitely less awful than Murakami, English speakers generally ADORE Murakami, while Mishima gets overlooked... but I can't get over how gross and objectifying Murakami is about his female characters, totally threw me off when I tried to read Hard Boiled Wonderland and the End of the World because I love Haibane-Renmei and it was one of its inspirations... ~~I say this even if Mishima's characters can be awful to women, the women still feel very human...~~)

I'll contact you via PM, then! ^_^

oh but me abt murakami and female characters, seriously

i feel like murakami writes in a way that makes for very quotable, aesthetic stuff that often ends up on those tumblr blogs about nice, punchy or pretty or aesthetic or etc excerpts of text but actually trying to read some of his work was an experience, let's just say? i definitely had to make myself work to finish 1Q84 for example.

EXACTLY!!

Murakami's quotable, but hell, Mishima is BEYOND quotable too, but maybe he'd only really appeal to people who have very unhinged beauty-as-destruction and love-as-consumption kind of mindsets (which makes him great for character inspirations, one of my favourite videos on YouTube had an English interview with him and a lady ranting about how much she detested him [likely for his... bizarre politics, rather than his very pretty prose, see his attempt to restore power to the Emperor], "Here comes this writer—this archaic monster—setting Japan back by a century!" WHAT A DESCRIPTION), people on tumblr sure seem to share his fascination with St. Sebastian paintings in a... homoerotic way... but everybody just goes for Murakami because he's quotable-out-of-context in a very appeals-to-most-people-without-sounding-too-weird, I guess. A quote of his even showed up A Series of Unfortunate Events, of all places...

He's like... those shows on Netflix that have those scenes you KNOW were written and filmed to be easily taken out of context of the show (and might even feel shoehorned in) so they can be posted everywhere as gifs or clips. Maybe it reads better in Japanese (I'm told, specifically, Mishima is hard to read even for a lot of Japanese folks, as beautifully flowery as it is, given his upbringing, he uses a lot of uncommon words...), but in terms of something as universally understandable as male writers writing in a very dehumanizing, objectifying, fetishistic, and leery way about female characters—ick!

Anyway. I'm sorry for ranting very autistically about Japanese writers, but, I got excited, PFFT, and I'm also glad someone else shares my opinion?! I always felt like a complete oddball and outcast in a sea of Murakami-lovers.

Da, ty for this thread because I always loved how murakami structured his prose and how it was translated but also hated how he handled women

I'm gonna check out mishima

Enjoy! The Sound of Waves is quite praised for its very sweet and innocent love story and it's a relatively short book at that... you'll notice a difference in how Mishima writes women right from the start! They're very human, fleshed-out, narratively treated with respect. But, fair warning, there is an attempted rape in this story (by an antagonistic character.) I've just started reading that one, but wanted to for a long time! ^^ It had once received an anime adaptation long ago, but I can't seem to track it down...

Of the ones I mentioned, The Sailor Who Fell From Grace With the Sea, however, definitely warrants a warning (more for squicky character behaviour than anything), the protagonist peeps on his mother at the start and it's pretty lurid??? ~~This is the closest thing Mishima's women get to ~breasting boobily~, so that's not one to read if you're trying to get away from writing that would end up on r/MenWritingWomen.~~

A Death in Midsummer is a short story, as such, all the characters are not very fleshed-out, but it paints a picture of a family grieving a terrible loss, while life goes on normally around them, almost insultingly. It's almost darkly funny at times, but it's a really lovely little story about how alienating grief and trauma can be. It's very short and not really the sort of thing you read for Mishima's beautiful prose, though.

The Temple of the Golden Pavilion is basically the example of Mishima's love-as-destruction and is based on a real life incident back in the 50's where a monk burned a historic temple?! ~~Fun fact: the Kinkaku-ji is likely the inspiration for Pokemon's Burned Tower.~~ But I have not read this one yet, so. I have no more to say!

in this thread we are all shaking hands about how murakami writes women, you love to see it

time to go check out a death in midsummer and the temple of the golden pavilion, both those descriptions sound right up my alley

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